“I think it means,” I say, “that chance encounters are what keep us going. In simple terms.”
Later, years later, I would hear a song made of our meeting. The boy who sang it was unskilled, missing notes more often than he hit, yet the sweet music of the verses shone through his mangling. I was not surprised by the portrait of myself: the proud witch undone by the hero’s sword, kneeling and begging for mercy. Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep.
I have heard of a strange delusion that the sun does not shine up here. It does; and because of the clarity of the air its light has power: it has more power, I suppose, in light than in heat.
We are reminded of the old Persian curse: “May your every desire be immediately fulfilled.”
And history is vitally important because perhaps as much as, if not more than biology, the past owns us and however much we think we can, we cannot escape it. If you only knew how close you are to people who seem so far from you … it would astonish you. ‘Also, it’s a way of honouring those who came before us. We can tell their stories. Wouldn’t you want someone to tell your story? Ultimately, it’s the best proof there is that we mattered. And what else is life from the time you were born but a struggle to matter, at least to someone?
Connell wished he knew how other people conducted their private lives, so that he could copy from example.
The thing to be known grows with the knowing.
But maybe boredom is erotic, when women do it, for men.
We cross our bridges when we come to them and burn them behind us, with nothing to show our progress except a memory of the smell of smoke, and a presumption that once our eyes watered
That’s what fiction is about, isn’t it, the selective transforming of reality? The twisting of it to bring out its essence?