She reminded me of a warning I was fond of repeating: do not, under any circumstances, belittle a work of fiction by trying to turn it into a carbon copy of real life; what we search for in fiction is not so much reality but the epiphany of truth.
Never again will a single story be told as though it’s the only one
From the very beginning he feels effortlessly incorporated into their lives. It is a different brand of hospitality from what he is used to; for though the Ratliffs are generous, they are people who do not go out of their way to accommodate others, assured, in his case correctly, that their life will appeal to him.
This quality of discernment, she has realised, does not make Lukas a good person. He has managed to nurture a fine artistic sensitivity without ever developing any real sense of right and wrong. The fact that this is even possible unsettles Marianne, and makes art seem pointless suddenly.
How often do we tell our own life story? How often do we adjust, embellish, make sly cuts? And the longer life goes on, the fewer are those around to challenge our account, to remind us that our life is not our life, merely the story we have told about our life. Told to others, but – mainly – to ourselves.
Here then may be lived a life of the senses so pure, so untouched by any mode of apprehension but their own, that the body may be said to think.
I had given him a life not worth living, but I had also given him an iron will to live. This was a common combination on the planet Earth.
Perhaps we don’t fully recover from our first loves. Perhaps, in the extravagance of youth, we give away our devotions easily and all but arbitrarily, on the mistaken assumption that we’ll always have more to give.
In a wink, a lifetime, we pass through the infinite movements of a silent overture.
Connell wished he knew how other people conducted their private lives, so that he could copy from example.