Words

I am an avid collector of words that hold meaning to me. This is a selection of what I have collected so far.

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The Fourteenth Book is entitled, “What Can a Thoughtful Man Hope for Mankind on Earth, Given the Experience of the Past Million Years?” It doesn’t take long to read The Fourteenth Book. It consists of one word and a period.
This is it:
“Nothing.”

— Kurt Vonnegut, Cat’s Cradle

But maybe boredom is erotic, when women do it, for men.

— Margaret Atwood, The Handmaid’s Tale

Those eyes, those endless mud brown pools of sticky, bottomless love.

— Meera Sayal, Anita & Me

What is this My Life business, anyway? We all have obligations, no one is born on their own, are they?

— Meera Sayal, Anita & Me

Papas singing always unleashed these emotions which were unfamiliar and instinctive at the same time, in a language I could not recognise but felt I could speak in my sleep, in my dreams, evocative of a country I had never visited but which sounded like the only home I had ever known. The songs made me realise that there was a corner of me that would be forever not England.

— Meera Sayal, Anita & Me

They were so different to the clothes my mother wore, none of these English drawing room colours she was all open-heart crises and burnt vivid oranges, colours that made your pupils dilate and were deep enough to enter your belly and sit there like the aftertaste of a good meal. No flowers, none that I could name, but dancing elephants strutting peacocks and long-necked birds who looked as if they were kissing their own backs, shades and cloth which spoke of bare feet on dust, roadside smokey dhabas, honking taxi horns and heavy sudden rain beating a bhangra on deep green leaves. But when I looked at Mrs Christmas’ frocks, I thought of tea by an open fire with an autumn wind howling outside, horses’ hooves, hats and gloves, toast, wartime brides with cupid bow mouths laughing and waving their hankies to departing soldiers, like I’d seen on that telly programme, All Our Yesterdays.

— Meera Sayal, Anita & Me

Perhaps we don’t fully recover from our first loves. Perhaps, in the extravagance of youth, we give away our devotions easily and all but arbitrarily, on the mistaken assumption that we’ll always have more to give.

— Michael Cunningham, A Home at the End of the World

Her beauty was of the rare kind, that made you want to look more like yourself and not like her…

— Noam Baumbach, Mistress America (Film)

I closed my notebook and sat in the cafe thinking about real time. Is it time uninterrupted? Only the present comprehended? Are our thoughts nothing but passing trains, no stops, devoid of dimension, whizzing by massive posters with repeating images? Catching a fragment from a window seat, yet another fragment from the next identical frame? If I write in the present yet digress is that real time? Real time, I reasoned, cannot be divided into sections like numbers on the face of a clock. If I write about the past as I simultaneously dwell in the present, am I still in real time? Perhaps there is no past or future, only the perpetual present that contains this trinity of memory.

— Patti Smith, M Train

In a wink, a lifetime, we pass through the infinite movements of a silent overture.

— Patti Smith, M Train
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